FROM BEYOND

INVENTIVE. UNDERRATED. MUCH BETTER THAN I EXPECTED 4


I first became aware of From Beyond many years after its release when I picked up a dusty copy of the video from a second hand record shop for the princely sum of three quid (under 5 bucks). Despite being a fan of Lovecraft and Jeffrey Combs for many years I didn't expect much from the film simply because it was unknown to me.
From Beyond could be classed as somewhat of a follow up to RE-ANIMATOR, reuniting Director Stuart Gordon with leads Jeffrey Combs and Barbara Crampton.

At the centre of the film is Combs, without whom, let's face it, it wouldn't be a Lovecraft film. Many 'serious' horror fans might criticise him and his style of (over)acting. Personally I think he's quality. He actually has some screen charisma, a rarity in low budget horror. His sometimes over the top style is little different from Bruce Campbell in the EVIL DEAD Trilogy, and to me Combs is the better actor. Combs among a collection of forgettables rarely fails to leave his mark on a film.
He's also gone a little more mainstream since these early days, starring in (the pre-'LORD OF THE RINGS') Peter Jackson's 'THE FRIGHTENERS' and 'I STILL KNOW WHAT YOU DID LAST SUMMER', as well as recurring characters in the last *three* Star Trek series.

Combs plays Crawford Tillinghast, a physicist assisting the perverted genius Dr Praetorius (Sorel) in experiments to stimulate the pineal gland, a dormant sixth-sensory organ. The opening scene sees him starting up the machine (The Praetorious Resonator) that allows him to see creatures swimming about in the air like fillet. Unfortunately the frequency that allows him to see them allows them to see him (shades of Hitch Hiker's Bugblatter Beast of Traal).
There is a certain surface similarity between FROM BEYOND and another '86 film, THE FLY.
"Genius invents machine that actually works, then things start to go wrong as the inventor becomes a victim of his own genius and undergoes an irreversible physical and psychological transformation."
One could look at it as a lesson that's there's some boundaries mankind just shouldn't cross, or the more intelligent we get the more stupid things we do. Me I just think both this and the Fly are very enjoyable films!

Before long we see Tillinghast running from the house like the proverbial madman, axe in hand, straight into the hands of the police.

The movie picks up with Psychiatrist Barbara Crampton (RE-ANIMATOR) listening to his explanation of the death of his boss Dr. Praetorius from his padded cell,
"It ate him. Bit off his head like a gingerbread man!".
This is vintage Combs.
Thankfully though Tillinghast is not quite a rehash of Combs' Herbert West in RE-ANIMATOR. He's a scientist who has seen too much and no longer *wants* to push back the boundaries of science.

Cue though the inevitable return, despite Tillinghasts protestations, to the scene of the crime to prove or disprove his story, accompanied by big-ass, but likeable, cop, Ken Foree (Dawn of the Dead).

Predictably the two sane people discover that Tillinghasts crazed ravings are altogether true. The middle section of the film therefore doesn't really throw any surprises at you, it does what is expected of it. The special effects are pretty effective (for the most part), especially for such a low budget film. I would think they almost hold their own side by side against the much bigger budget THE FLY. The film is after all almost 20 years old!

Trying not to give *too* much away about the ending (look away now!) I will say that thankfully, it is typical Lovecraft. Those that don't end the film dead end it insane.

For such a little known film there's a lot to recommend FROM BEYOND.
It's inventive. The special effects are pretty good throughout, the only exceptions being at the very end. The acting is actually pretty good. It just *feels* like Lovecraft, or at least about as close as any film has gotten to hinting at the hidden depths of his world. What it isn't though is a trawl through the various unpronounceable denizens and demi-gods of HPL. It's largely a creation of the filmmakers, were the men are perfectly capable of becoming the monsters. Some might consider it not faithful to the Cthulthu Mythos but it is undeniably faithful to the Lovecraft mood.

In the end though it's just a plain enjoyable film. At 80 minutes long you are unlikely to get bored with it before the end.

I can definitely recommend FROM BEYOND, and, particularly if you're a fan of Lovecraft and Combs, it is a must see. Unfortunately you might find it hard to get your hands on, especially on DVD. That more than anything shows that the film isn't as well known as it deserves.
My copy of it is so bad that every time I watch it the dirt on the tape fucks up the heads on my videoplayer for hours. But still, even in that state, it's an underrated rarity that I'm definitely glad I have in my collection...

- JohnShaft



WHAT YOU SAID [VIEW]

skuppy said
Spot on review JohnShaft, not to mention a very nice comparison of Combs to Campbell. I couldn't agree more.

Aside from Combs's screen presence there are also some very creepy creature effects to keep the viewer entertained. Impressive work for a low budget film.

This movie is in sore need of a DVD release and as you said, is deserving of far more attention from horror fans. One can hope that Beyond Re-animator will bring new interest to this film and we'll see a DVD release in the futre.



TVT - If you're reading this now you know where the water mark is at, I expect better! ;)
JohnShaft said
Absolutely, I'd love to get the DVD of this. The Far Eastern import (with I think Chinese subtitles?) just isn't going to cut it.
My VHS version has been on it's last legs since the day I bought it.

And I too hope that Beyond Re-Animator is an excellent, enjoyable film. The trailers didn't look half bad, especially the second one.
Combs is way over due in making another top quality horror film. I think he's criminally underused in the genre now. But I really enjoyed him in Deep Space Nine, even if it does reveal me as somewhat of a trekkie. His Liquidator Brunt and Weyoun characters were both excellently realised and utterly different. If you hadn't known otherwise you could swear that Brunt wasn't Combs at all.
skuppy said
I've never seen Combs in a role I didn't like.

Any chance you remember which Deep Space Nine episodes? How many did he appear in? I used to be somewhat of a Star Trek fan but only watched the old ones and Next Generation.
JohnShaft said
QUOTE Originally posted by skuppy@Jan 12 2003, 09:42 AM
Any chance you remember which Deep Space Nine episodes? How many did he appear in? I used to be somewhat of a Star Trek fan but only watched the old ones and Next Generation.

Well not of by hand Skuppy, but with a bit of checking here we go.

He had two recurring characters in DS9.


1. Liquidator Brunt, an employee of the Ferengi Commerce Authority (greed is good!). Appeared about Series 3 and became somewhat of an arch nemesis for the superb Quark (Armin Shimmerman).
And featured in the episodes (in chronological order):
Bar Association, Family Business, Body Parts, The Magnificent Ferengi, The Emperor's New Cloak, The Dogs of War.

2. Weyoun. Combs now got a larger and much more important role in the DS9 story arc, no doubt due to the showcase of his talents as Brunt. Weyoun was a Vorta, the race that served the series main antagonists, the Changelings. A thoroughly devious and political character. Weyoun was in from about the mid point of DS9 till the very end. The large number of episodes he featured in however makes it fairly likely you'll catch him if you watch the later series.
He featured in the episodes (in chronological order):
To The Death, Ties Of Blood And Water, Ferengi Love Songs, In The Cards, A Call To Arms, A Time To Stand, Behind The Lines, Favor The Bold, The Sacrifice Of Angels, Statistical Probabilities, Waltz, Inquisition, In The Pale Moonlight, Tears Of The Prophets, Image In The Sand, Shadows And Symbols, Treachery, Faith And The Great River, Penumbra, Till Death Us Do Part, Strange Bedfellows, The Changing Face Of Evil, Tacking Into The Wind, The Dogs Of War, What You Leave Behind

Pay particular note of a very late DS9 episode (The Dogs Of War) where not only did he play Weyoun AND Brunt but also (if I recall correctly) played them off against each other in the same scene! What an actor.

DS9 was, I think, a hugely underated series. IMO it was the best, and without a doubt the deepest and most complex of Star Trek's. It was what great TV should be about, a long running epic, where one episode is just a piece of the puzzle. Sadly I think that's why it suffered. You couldn't just dip into it and watch an episode here or there as it was likely that you had missed far too much previous story to have a clue what was going on.

If you didn't like it the first time around but didn't watch it all I would seriously recommend watching it from the beginning all the way through.
How also could you not love a series starring the wonderful Andrew Robinson (Dirty Harry, Hellraiser) as the utterly sneaky Cardassian 'Garak'. You just don't get actors like these in any other Star Trek.
An absolute joy.

Weyoun Brunt

Seen It? Tell Us What You Think




DIRECTOR

Stuart Gordon

CAST

Jeffrey Combs
Barbara Crampton
Ken Foree
Ted Sorel

RELEASE DATE

1986

REVIEWER

JohnShaft

REVIEW DATE

21st October 2002 - 2:35AM

Taglines

  • Humans are such easy prey.
  • Everything is alive...and hungry.

Trivia

  • Dr. Bloch is named after Robert Bloch, the author of Psycho and a friend of writer H.P. Lovecraft.
  • Stuart Gordon and Dennis Paoli originally intended to be faithful to H.P. Lovecraft's story, but the film ultimately has little in common with the story, which was intended to be a parody of "Frankenstein".
  • The special effects department went through 25 gallons of fake blood during the shoot.


the Last 10 Movie Reviews by

JohnShaft